andrew sarris village voice
Andrew Sarris, Village Voice Film Critic, Dies at 83, The American Cinema: Directors and Directions 1929-1968. Share: Twitter Facebook Email. “Less than meets the eye.” Stanley Kubrick? Who knew Ingmar Bergman made a film called Brink Of Life, about a group of women in a maternity ward? “That’s O.K.,” Ms. Kael replied. He argued that more than a few of Hollywood’s own belonged in the pantheon — including Orson Welles, John Ford, Howard Hawks and Sam Fuller, not to mention a British director whom purists had dismissed as a mere “commercial” filmmaker, Alfred Hitchcock — and he championed them. Andrew Sarris was born on October 31, 1928 in Brooklyn, New York City, New York, USA. We never had to ask twice. And ended with a question. Anyone who read Andrew Sarris’s movie reviews was, in a way, a student of his. A bunch of us future directors, film nuts, screenwriters, or kids who’d rather be beheaded than take math would be sitting there, at the ungodly hour of 10 AM, in a small room in Dodge Hall, and you could set your watch that Professor Sarris would come wafting in at 10:20. The same feeling came over me this week, when I heard that Sarris had died. But his concerns lay elsewhere. “Urgency” — his smile on this point was wistful — “seemed unavoidable.”. And he survived to review films there for 29 more years. Expected never to see him alive again. (Village Voice) (Note: this list is credited to "Andrew Harris," but I'm [MQD] sure it was a typo...Sarris had not yet begun his long stint as the VOICE's film critic) 01. John Huston? “Did you really,” I asked, “think Manhattan was ‘the only true great American movie of the 70s’? Finalists. Besides writing about film, Mr. Sarris taught the subject, chiefly as a film professor at Columbia University’s School of the Arts but also at Yale University, Juilliard and New York University, among other institutions. “Afterward he took me out for a sundae at Howard Johnson.”. In the late 90s, I bumped into him at the most un-cinematic of places: a Chemical Bank ATM on The Upper West Side. “The liquidity of the scene and the film,” he recalled, “was truly magical, especially to someone not many years out of the womb himself.”. “He had this courtly-as-learned-from-the-movies manner,” Ms. Haskell recalled. From his perch at The Village Voice, and later at The New York Observer, he wrote searchingly of that glorious deluge and the directors behind it — François Truffaut, Max Ophuls, Jean-Luc Godard, Michelangelo Antonioni, Ingmar Bergman, Akira Kurosawa. He turned us all on, either to directors we hadn’t yet heard of, or films of theirs we didn’t even know existed. We all sent cards but went on our way. She and Mr. Sarris lived on the Upper East Side of Manhattan. The archives for The Village Voice, the nation's first alternative weekly newspaper, covering the counter-culture from 1955 to 2018. Sorry to hear Andrew Sarris passed away today, 20th June 2012. “I’ll go to Molly’s next wedding.”, In another celebrated exchange of critical detonations, the often acidic John Simon wrote in The Times in 1971 that “perversity is certainly the most saving grace of Sarris’s criticism, the humor being mostly unintentional.”, To which Mr. Sarris replied, “Simon is the greatest film critic of the 19th century.”. Nach einem 1961 beginnenden Frankreich-Aufenthalt kehrte er Ende 1962 nach New York zurück und erhielt nun eine eigene wöchentliche Kolumne in der Village Voice, parallel zu der von Mekas. Howard Hawks’s guys were obsessed with being professionals, no matter what the cost. Business California ©2017 Village Voice, LLC. On a footloose outing he passed a year in Paris, drinking coffee and talking with the New Wave directors Mr. Godard and Mr. Truffaut, who were the first to champion auteur theory. Or did you just say that, because you knew someday, they’d use the quote on the cover of the videocassette? Sarris is generally credited with popularizing the auteur theory in the United States and coining the term in his 1962 essay, "Notes on the Auteur Theory," which critics writing in Cahiers du Cinémahad inspired. Cultural Commerce Robert Downey – Sr.’s – Budget-Busting Ego-Booster by The Village Voice Archives December 23, 2019. Andrew Sarris, one of the nation’s most influential film critics and a champion of auteur theory, which holds that a director’s voice is central to great filmmaking, died on Wednesday at St. Luke’s Hospital in Manhattan. The Romans Tried to Save the Republic From Men Like Trump. He dared to suggest, to our timid, British-bootlicking country, that American directors and the films – make that movies – they made, might be just as important as those by gentleman who wore white silk scarves, berets, and whispered “Action!” in Swedish, French, or Italian. And I love that movie so much, I get weepy just thinking about it. And he continued to write on a typewriter into old age, eschewing a computer. All rights reserved. In addition to being one of the most incisive critics the movies have ever known, Sarris also served many years as an actual teacher. His death got me to thinking, and also blinking, through my tears about the great, insightful, instructive, infuriating things he said, as I sat through hundreds his classes. Auteurism originated in the French film criticism of the late 1940s as a value system that derives from the film criticism approach of André Bazin and Alexandre Astruc—dubbed auteur theory by the American critic Andrew Sarris. “We were cowed into thinking that only European cinema mattered,” Mr. Scorsese, who once shared a closet-size office in Times Square with Mr. Sarris, said in a 2009 interview. He was married to Molly Haskell. “Besides making previous horror films look like variations of ‘Pollyanna,’ ‘Psycho’ is overlaid with a richly symbolic commentary on the modern world as a public swamp in which human feelings and passions are flushed down the drain.”. A rough cordiality attended to the relationship between Mr. Sarris and Ms. Kael, but that is not to overstate their détente. And I never saw him again. Datasets available include LCSH, BIBFRAME, LC Name Authorities, LC Classification, MARC codes, PREMIS vocabularies, ISO language codes, and more. I just saw the new Jim Brooks film, Terms of Endearment. I watched him as he walked off and disappeared around the corner. Andrew Sarris gained renown as an intellectual duelist, battling most spectacularly with Ms. Kael, who wrote for The New Yorker. The Village Voice-Wikipedia By William Bastone, Jennifer Gonnerman, Michael Musto and Frank Owen. And, Sarris demonstrated, the Great Ones had themes that repeated film-to-film. His wife, the film critic Molly Haskell, said the cause was complications of an infection developed after a fall. “What Andrew showed us is that art was all around us, and that our tradition, too, had much to offer; he was our guide to the world of cinema.”. Always his love affair with movies sustained him. Sarris' first article, a controversial piece on Alfred Hitchcock's Psycho, appeared in the Voice on August 11, 1960. The fact that he recovered and lived to write, lecture, extol, and bitch about movies again for 25 more years is extraordinary. 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